Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Used drive : HL-DT-STDVDRAM GUA0N Adapter: 1 ID: 0 That’s a lot more than one can say for the other guy who sang “Changes,” Ozzy Osbourne.ĮAC extraction logfile from 8. And Changes shows Bradley still has plenty of new ground to explore at the age of 68. Charles Bradley doesn’t sound like a ’60 soul singer, he sounds like a great soul singer regardless of era. On Changes, the rough-hewn power of Bradley’s voice is at its most powerful, and there’s a fierce sense of longing and need in this music that’s almost tactile in its realism. But since he launched his belated recording career, Bradley has developed a greater sense of self and more confidence in his own musical personality. Dynamite is still audible on many of these tunes. Bradley spent years imitating James Brown, and the influence of Mr. (Most of the album features the Menahan Street Band backing Bradley, though the Budos Band does the honors on two cuts.) Most of the songs on Changes are new, but they sound like they could have been prize Atlantic or Stax rarities from the mid-’60s, and the performances honor the sound and the emotional power of classic soul. The production by Thomas Brenneck is straightforward but naturalistically effective, and puts Bradley’s rough but passionate vocals in engaging relief with the accompanists. As on his two previous albums, Bradley is one of the most authentic-sounding artists in the 2010s retro-soul sweepstakes on Changes. Now it’s become the title track and cornerstone of Bradley’s third album, and in this context it doesn’t sound like a novelty, but like the striking, deeply felt performance it truly is. 4) became something of a viral sensation when it first surfaced on a Record Store Day single in 2013. = Log checksum 6A676C6199715243665C0F46324651D76F33099B6BFB4EEC8840CFECB28E7246 =įILE "Charles Bradley - No Time For Dreaming.If Wilson Pickett could cover the Archies and Al Green could interpret the Bee Gees, why shouldn’t Charles Bradley put his spin on Black Sabbath? Bradley’s deep, soulful reading of Black Sabbath’s “Changes” (from 1972’s Vol. Track 14 accurately ripped (confidence 2) (AR v1) Track 13 accurately ripped (confidence 2) (AR v1) Track 12 accurately ripped (confidence 2) (AR v1) Track 11 accurately ripped (confidence 2) (AR v1)
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Used output format : User Defined EncoderĬommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeĪdditional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%" -T "tracknumber=%tracknr%" %source% Used interface : Native Win32 interface for Win NT & 2000 Null samples used in CRC calculations : Yes Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1įill up missing offset samples with silence : Yesĭelete leading and trailing silent blocks : No
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